The Moose and the Showgirl

Prints
In a photo from Louis Chunovic’s Rocky and Bullwinkle Book, the Bullwinkle statue and Sahara showgirl sign flank the Sunset Strip circa the early-to-mid 1960s, as you would have seen them driving westward—perhaps on your way to Whisky a Go Go.

“Not many people know these are here.”

A cheerful employee of PoshPetCare is ushering me past two metal gates into her place of business’s forecourt. It’s March 2018, and I have been skulking around the dinky, house-like building on Hollywood’s Sunset Strip. The staffer has caught me standing on tippy-tippy-toe on the sidewalk outside, trying to take photos over a wall of imposingly tall shrubbery. Rather than telling me to scram, she’s being unexpectedly helpful.

Once inside, I’m free to roam about shooting pictures of the pavement in front of the pet-grooming shop. More specifically, I can document the 30 circular cement discs embedded there. Each is signed, usually with a date in the early 1960s and indentations where signatories had left prints of their elbows.

By now, you’re mystified—unless you’re a particularly serious Rocky and Bullwinkle fan. In that case, you may know that PoshPetCare’s home at 8218 Sunset Boulevard was once the headquarters of Jay Ward Productions, the cartoon studio that brought us the moose and squirrel’s adventures beginning in 1959. Back in the day, the dated signatures and elbow prints were accompanied by a statue of Bullwinkle hoisting Rocky on his left arm, which studio founder Jay Ward had commissioned in the fall of 1961 when The Bullwinkle Show came to prime-time TV. You didn’t need to be a Bullwinkle scholar to know about this statue, since it was readily visible from the street and stood for decades.

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Can I Just Throw Up Now and Get It Over With?

The new Animation Magazine on the new George of the Jungle show:

George is still protecting the jungle of Mbebwe with the help of his best pal Ape, love interest Ursula, his faithful, dog-like elephant Shep, and the lovable Tookie-Tookie bird. He’s also still crashing into trees, but other things have changed since the original series debuted 41 years ago. The title hero is no longer a muscle-bound man in his twenties with a pompadour haircut, but rather a lean teen that children can relate to. Ursula has also been made over into an environmentally conscious do-gooder concerned with conserving the jungle and its inhabitants. Even the theme song has been spiffed up with a bit of hip-hop infusion to have today’s kids tapping their toes.

The Mintz Studio Lives!

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Joe Campana has posted a wonderful item at his blog in which he discovers that the building in front of which the Mintz Studio posed for staff photographs is still there–a bit sadder, perhaps, but intact. Don’t you just love the Web, and all it’s done for animation scholarship?

If you don’t know Joe’s blog, Animation Who & Where, you should–I didn’t, but perusing it just now, I discovered not only that Jay Ward’s birth name was apparently Joseph Cohen Jr.–but that I drive by the house where his lived at the time of his birth every morning on my way to work! I’ll pause tomorrow to pay my respects. And next time I’m down south, I’ll try to stop by the place where Charles Mintz, Dick Huemer, Sid Marcus, Art Davis, and coworkers had their pictures snapped more than 75 years ago.

Joe–Campana, I mean, not Cohen/Ward–has a blog that’s earned a place on my blogroll; at the very least, it should be in your bookmarks…